What I learned last week (#17)
- Lego keeps getting cooler: Just saw this full Lego build of a McLaren Senna. It’s drive-able!
Like the Bugatti Chiron, this is noted as the first interactive McLaren LEGO model which you can drive since it boasts a working V8 engine. The impressive feat took nearly 5,000 hours to complete with the assistance of 42 workers, while the supercar is composed of 467,854 blocks and weighs 3,748 pounds.
The video at the end of the designers talking about design is fascinating. (Hat tip to Scott for this)
- I love considering mysteries of the unknown: I heard about the vulnerable world hypothesis by Nick Bostrom, which asks us to consider the “urn of invention”.
One way of looking at human creativity is as a process of pulling balls out of a giant urn. The balls represent possible ideas, discoveries, technological inventions. Over the course of history, we have extracted a great many balls—mostly white (beneficial) but also various shades of grey(moderately harmful ones and mixed blessings). The cumulative effect on the human condition has so far been overwhelmingly positive, and may be much better still in the future. The global population has grown about three orders of magnitude over the last ten thousand years, and in the last two centuries per capita income, standards of living, and life expectancy have also risen. What we haven’t extracted, so far, is a black ball: a technology that invariably or by default destroys the civilization that invents it. The reason is not that we have been particularly careful or wise in our technology policy. We have just been lucky.
Here’s a video of Sam Harris’s discussion with Nick on the topic: Sam Harris and Nick Bostrom – Pulling a Black Ball from the Urn of Invention. Similar to the great barrier in the Fermi paradox.
- Some new music for creative work: I recently discovered Makaya McKraven, and his (double) album Universal Beings is my jam right now for writing or working sessions. From his site:
Makaya McCraven is a beat scientist. The bleeding edge drummer, producer, and sonic collagist is one of Chicago’s savviest cultural players and a multi-talented force whose inventive process & intuitive, cinematic style defy categorization.
Check out Suite Haus for a taste of what I’m talking about (the transitions over the course of that track are mwwwaah!). Your mileage may vary but for me it does the trick.
- One of the my favorite films turns 20: Like many, I was blown away by the Matrix when it came out. This is an interesting story about how it came to be: How the Matrix Built a Bullet-Proof Legacy.
One of the great misunderstandings about Keanu is that people don’t think he’s smart,” says di Bonaventura. “Maybe it’s because of the Bill & Ted movies. But Keanu gives me books I cannot make heads nor tails of. And in Keanu, the Wachowskis found somebody who was an intellectual searcher.”
The famous bullet time shot on the rooftop with agent smith:
That single shot would take nearly two years to complete and run an estimated $750,000 in computer costs. It quickly proved to be a worthwhile investment. Libreri remembers one internal screening of Matrix footage during which Reeves—seated in the front row—began lying back in his chair, excitedly re-creating his rooftop bends. At that same session, the team previewed another key effects sequence, in which a camera swirls around Trinity as she leaps up and kicks a cop. According to Libreri,”Joel Silver got up and said, ‘That’s it! This is where everybody’s going to get up and scream!’”
- A quote that captures what I’ve been trying to focus on: “What you get will never make you happy; who you become will make you very happy or very sad.” – Jim Rohn